People of the Sengoku period in popular culture. Many significant Japanese historical people of the Sengoku period appear in works of popular culture such as anime, manga, and video games. This article presents information on references to several historical people in such works. Akechi Mitsuhide. He wields a katana, obviously taking techniques from the sword school of Iaido, and is portrayed to have a very close relationship with Mori Ranmaru. He goes against Oda Nobunaga but lets him live in one story.
Directed by Akira Kurosawa. A crafty ronin comes to a town divided by two criminal gangs and. The most important samurai movie is Akira Kurosawa’s 1954 feature, Seven Samurai, which not only impacted the way the genre was viewed, but elevated its status. He studied the movement of lions. He’s like a caged animal,” says Martin Scorsese in the (above) trailer for Mifune. He (along with King Lear) was the basis of Hidetora Ichimonji in the Akira Kurosawa film Ran. Motonari has also made an appearance in video games such.
March 25, 2016 Director Ben Wheatley discusses his favorite films, which include Godard’s Weekend. After watching it, he says, “I almost felt. Samurai I: Musashi Miyamoto (1954) Samurai II: Duel at Ichijoji Temple (1955) Samurai III: Duel at Ganryu Island (1956) With Toei, the largest producer of period.
In another story, he is forced to kill Oda Nobunaga and Mori Ranmaru. In the second installment of the series, the relationship with Ranmaru is not present; instead he becomes closer to Nobunaga (and takes longer to fall out with Nobunaga) to a point where he does not want to kill him. This caused Saika Magoichi to assassinate Nobunaga from afar, leaving Mitsuhide to be blamed. Akechi Mitsuhide somehow defeats the Toyotomi and the Saika, uniting the land in Nobunaga's name. In a special side story, he has to fight off and defeat the Tokugawa and the rest of Japan. He also appears in the Warriors Orochi spin- off series as a starting character in the . In this game, he shows no intention of killing or betraying Oda Nobunaga and follows him faithfully; in fairness, this depiction is based on the Samurai Warriors 2 incarnation.
Akira Kurosawa on the set of Seven Samurai in 1953. Born March 23, 1910 Shinagawa, Tokyo, Japan: Died: September 6, 1998 (aged 88).
In Warriors Orochi 2, he and Hosokawa Gracia, his daughter, are rescued by Xing Cai and Inahime. They become allies of Shu, and they tell Liu Bei of Taira Kiyomori and Sun Wukong. He has a dream mode stage where he teams up with Ling Tong and Yue Ying to battle Masamune Date. He is also in the spinoff of Samurai Warriors called Samurai Warriors Katana. He is featured as a playable character in Sengoku Basara, where he is portrayed as a sadistic psychopath who wields dual scythes, and enjoys killing his opponents. His counterpart in Devil Kings is known as the . He appears in Sengoku Basara 3 in a new costume as well as a mask concealing his mouth, under a new name of .
He then faked his death and became the High Buddhist priest called Tenkai, manipulating the Tokugawa from within. In the James Clavell historical novel Sh. He can be replaced with his daughter Hosokawa Gracia, after doing two of his events using Rance's satisfaction points. In the anime series Sengoku Otome: Momoiro Paradox, Mitsuhide is portrayed as a gender- switched version of himself, played by Eri Kitamura.
In the anime series The Ambition of Oda Nobuna, Mitsuhide is portrayed as a female protagonist serving Oda Nobuna. In Drifters he appears as a member of the Ends. In the Custom Game Mode of Warcraft III The Frozen Throne, One of the Selectable Heroes from the Orc Faction, is a Blade Master, with Various Names. Among the Numerous Blade Master Names was .
As like in history, Nagamasa decides to collaborate with his erstwhile allies, the Asakura, and fight against Nobunaga at Anegawa; he also expresses a more dramatized showing of love towards his respective wife, Oichi, and cares deeply for her welfare. In appearance, Nagamasa is depicted with his traditional kabuto helmet and carries a lance as his weapon of choice. He is also in the spinoff of Samurai Warriors called Samurai Warriors Katana. This version of the character also appears in the spin- off series Warriors Orochi, as an unlockable character for the Cao Wei storyline. Cao Pi and Mitsunari Ishida attack Nagamasa's forces, including his wife Oichi and Gan Ning of Wu (kingdom). Instead of death, as they wanted, Cao Pi enlists the three of them into his army against Orochi. Later, Azai Nagamasa, Oichi, and Gan Ning work with Honda Tadakatsu in repelling Lu Bu and Orochi's forces.
In WO2, Azai Nagamasa, the Asakura, and Oichi arrive as reinforcements for Jiang Wei and Maeda Toshiie. In Dream Mode, he works with Naoe Kanetsugu, Sanada Yukimura, and Ma Chao in rescuing peasants from Taira Kiyomori. Nagamasa is a non- player character (NPC) in Sengoku Basara 2, along with Oichi, but becomes playable in the expansion Sengoku Basara 2: Heroes. He wields a long sword and carries a shield with him. He is portrayed as a justice- loving man. In the anime version of Sengoku Basara, Nagamasa is killed by Mitsuhide Akechi's arquebus corps shoots through him to kill Masamune Date. Nagamasa are two of the captains who have generic faces in the eroge Sengoku Rance (where they take the names .
He joins the Toyotomi to keep Shikoku safe, but his son is killed by Shimazu Yoshihiro at Kyushu. Surprisingly, he forgives Yoshihiro. In his ending, Motochika, living longer than he was supposed to be in history, unites Tachibana Ginchiyo, Yoshihiro, and Ishida Mitsunari defeat the Tokugawa at Sekigahara. In Warriors Orochi 2, he finds a resting place in Wu. He works with Sun Quan, Sun Ce, Da Qiao, and Minamoto Yoshitsune in flooding out the battlefield and repelling Taira Kiyomori and Lu Bu. At Chi Bi, the final battle for Wu, he teams up with Wu and Lu Bu in defeating Maeda Keiji, Orochi X, and Da Ji.
In Dream Mode, he works with Diao Chan and Zhang He in convincing Lu Bu to turn traitor and repel Da Ji's forces at Osaka Bay. Before the release of Xtreme Legends, Motochika appears as an infamous general in Samurai Warriors 2 and Samurai Warriors 2 Empires. In Total War: Shogun 2, he is the daimyo of the Ch. His weapon in the first game is a pair of bokken.
In the second game, he now looks a little older, though still with the iconic crescent- moon helmet, with his weapons changed to a western- style sabre and a pair of pistols. He frequently expressed ambitions to explore the world beyond Japan, and acquire new, foreign technologies. In the first game, Date's childhood name, . In the third game, Masamune has been aged even further, with longer hair and a more stylish costume.
In this expansion, he has more of a friendship with Saika Magoichi and Naoe Kanetsugu, and still expresses his desire to explore the world beyond Japan. Masamune also appears in the related series Warriors Orochi, where he is an officer for Orochi's forces, but is unlockable in the 5th Gaiden for Shu Han. With the help of Xing Cai and Zhu Rong, Magoichi Saiga defeats Masamune, and convinces him to join Shu's quest to save Liu Bei. In the sequel, however, he returns as a permanent member of Orochi's forces. He also has a dream mode stage, where he teams up with Sima Yi and Mitsunari Ishida. In the manga series Samurai Deeper Kyo, Date Masamune (referred to in the series by his childhood name, Bontenmaru) is a member of the Shiseiten and former follower/rival of the main character Kyo. In the series, he is depicted as a tall, muscular, and physically imposing man with a heart of gold.
Like his historical version, he wields a wooden sword as his primary weapon and can perform incredible feats of swordsplay with it, but is an even stronger fighter when unarmed. As a member of the Shiseiten, he goes by the name . Seiji wears his hair covering one eye, and is at one point asked by Hashiba Touma if he does so because he is related to the One- Eyed Dragon. Capcom's highly successful hack- & -slash series Sengoku Basara, includes Date Masamune as one of the main characters. In Basara, a distinguishing trait of Date Masamune is his usage of Japanese- style English, or Engrish. Masamune is portrayed as a brazen young lord bent on having fun while conquering the country, dressed in blue and black with a tsuba as an eyepatch over his right eye as well as the historically accurate golden arc on his kabuto. He is also known in- game by his nickname, the One- Eyed Dragon (Dokuganryu).
He is also depicted in a constant love- hate relationship with Sanada Yukimura, although there is no clear historical record to suggest such a relationship ever existed. He was shown having 6 Katanas which he uses simultaneously.
Masamune also appears in the strategy game Shogun: Total War as a general in the Uesugi army but not until later in the game (around 1. He also appears as the leader of the Date Clan in the Samurai Warlords Mod (aka the Shogun Mod) for Medieval Total War. He is also one of the Leaders (a class of Samurai) in Throne of Darkness. Date Masamune was also the main subject of the Japanese network NHK's taiga drama. Dokuganryu Masamune (One- eyed Dragon, Masamune) in 1. Ken Watanabe as Date Masumune. To- date, this series is the highest rated NHK Taiga drama.
It is one of Masamune's swords that Lecter uses to commit his first murder by killing a butcher named Paul Momund for insulting Lady Murasaki because she is Japanese. In Age of Empires III: The Asian Dynasties, Daimyo Date Masamune is available as a daimyo unit. In the game, he is available with Shogunate wonder, only for Japanese civilization.
Daimyos can receive shipments and train troops, while they are a powerful hand cavalry unit. They also provide an attack boost to nearby troops. In the eroge Sengoku Rance, the youkai king of Oushuu is Dokuganryuu Masamune. It is wearable by the Demoman, who is also missing an eye. In the recent video- game spin- off anime series, Sengoku Paradise Kiwami, Date Masamune is dressed in purple outfit instead of blue.
In the Young Samurai book series the ninja Dokuganryu is based on Date Masamune. His voice actor, Kakihara Tetsuya also sang the opening song . He is a minor role in Akira Kurosawa's movie Kagemusha. Honda Tadakatsu also appears in the video games Kessen and in the Samurai Warriors series, in which he is in almost every way the equivalent of Lu Bu of the Dynasty Warriors series: extremely powerful, with his own theme music which plays when he is engaged in battle by the player character, and in any series trying to fight him alone usually results in death, unless playing as a character that is on par with him, such as Yukimura, Keiji, or Musashi; even then, he could very well defeat an opponent easily. In Onimusha 3, he is one of Akechi Samanousuke's allies in defeating Oda Nobunaga. In Sengoku Basara, he appears to be part machine and wield a giant drill.
Akira Kurosawa - Wikipedia. Akira Kurosawa. Regarded as one of the most important and influential filmmakers in the history of cinema, Kurosawa directed 3. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director in 1. World War II, with the popular action film. Sanshiro Sugata (a.
After the war, the critically acclaimed Drunken Angel (1. Kurosawa cast then- unknown actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another 1. The commercial and critical success of this film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Throughout the 1. Kurosawa directed approximately a film a year, including a number of highly regarded films such as Ikiru (1. Seven Samurai (1.
Yojimbo (1. 96. 1). After the mid- 1. His father Isamu, a member of a former samurai family from Akita Prefecture, worked as the director of the Army's Physical Education Institute's lower secondary school, while his mother Shima came from a merchant's family living in Osaka.
Akira was the eighth and youngest child of the moderately wealthy family, with two of his siblings already grown up at the time of his birth and one deceased, leaving Kurosawa to grow up with three sisters and a brother. He encouraged his children to watch films; young Akira viewed his first movies at the age of six.
In the aftermath of the Great Kant. When the younger brother wanted to look away from the human corpses and animal carcasses scattered everywhere, Heigo forbade him to do so, instead encouraging Akira to face his fears by confronting them directly. Some commentators have suggested that this incident would influence Kurosawa's later artistic career, as the director was seldom hesitant to confront unpleasant truths in his work. Akira, who at this point planned to become a painter. However, he was never able to make a living with his art, and, as he began to perceive most of the proletarian movement as .
In July 1. 93. 3, Heigo committed suicide. Kurosawa has commented on the lasting sense of loss he felt at his brother's death. Although he had demonstrated no previous interest in film as a profession, Kurosawa submitted the required essay, which asked applicants to discuss the fundamental deficiencies of Japanese films and find ways to overcome them. His half- mocking view was that if the deficiencies were fundamental, there was no way to correct them. Kurosawa's essay earned him a call to take the follow- up exams, and director Kajir.
The 2. 5- year- old Kurosawa joined P. C. L. Of his 2. 4 films as A. D., he worked on 1. Yamamoto, many of them comedies featuring the popular actor Kenichi Enomoto, known as . He also frequently wrote screenplays for other directors such as for Satsuo Yamamoto's film, A Triumph of Wings (Tsubasa no gaika, 1.
This outside scriptwriting would serve Kurosawa as a lucrative sideline lasting well into the 1. Towards the end of 1. Japanese attack on Pearl Harbor, novelist Tsuneo Tomita published his Musashi Miyamoto- inspired judo novel, Sanshiro Sugata, the advertisements for which intrigued Kurosawa. He bought the book on its publication day, devoured it in one sitting, and immediately asked Toho to secure the film rights. Kurosawa's initial instinct proved correct as, within a few days, three other major Japanese studios also offered to buy the rights. Toho prevailed, and Kurosawa began pre- production on his debut work as director. Production proceeded smoothly, but getting the completed film past the censors was an entirely different matter.
The censorship office considered the work too . Nevertheless, the censorship office would later decide to cut out some 1. In order to coax realistic performances from his actresses, the director had them live in a real factory during the shoot, eat the factory food and call each other by their character names. He would use similar methods with his performers throughout his career. She and Kurosawa were constantly at loggerheads, and it was through these arguments that the two, paradoxically, became close.
They married on May 2. Yaguchi two months pregnant (she never resumed her acting career), and the couple would remain together until her death in 1.
The often blatantly propagandistic Sanshiro Sugata Part II, which premiered in May 1. The Men Who Tread on the Tiger's Tail, based on the Kabuki play Kanjinch. By this time, Japan had surrendered and the occupation of Japan had begun. The new American censors interpreted the values allegedly promoted in the picture as overly . The first such film, No Regrets for Our Youth (1. Takigawa incident and the Hotsumi Ozaki wartime spy case, criticized Japan's prewar regime for its political oppression. Atypically for the director, the heroic central character is a woman, Yukie (Setsuko Hara), born into upper- middle- class privilege, who comes to question her values in a time of political crisis.
The original script had to be extensively rewritten and, because of its controversial theme (and because the protagonist was a woman), the completed work divided critics, but it nevertheless managed to win the approval of audiences, who turned variations on the film's title (. It is a relatively uncomplicated and sentimental love story dealing with an impoverished postwar couple trying to enjoy, within the devastation of postwar Tokyo, their one weekly day off. The movie bears the influence of Frank Capra, D. It marked the debut of the intense young actor Toshiro Mifune. It was Kurosawa who, with his mentor Yamamoto, had intervened to persuade Toho to sign Mifune, during an audition in which the young man greatly impressed Kurosawa, but managed to alienate most of the other judges.
A grittily realistic story of a doctor who tries to save a gangster (yakuza) with tuberculosis, it was also the director's first film with Toshiro Mifune, who would proceed to play either the main or a major character in all but one (Ikiru) of the director's next 1. While Mifune was not cast as the protagonist in Drunken Angel, his explosive performance as the gangster so dominates the drama that he shifted the focus from the title character, the alcoholic doctor played by Takashi Shimura, who had already appeared in several Kurosawa movies. However, Kurosawa did not want to smother the young actor's immense vitality, and Mifune's rebellious character electrified audiences in much the way that Marlon Brando's defiant stance would startle American film audiences a few years later. The film premiered in Tokyo in April 1.
Kinema Junpo critics poll as the best film of its year, the first of three Kurosawa movies to be so honored. For this organization's debut work, and first film for Daiei studios, Kurosawa turned to a contemporary play by Kazuo Kikuta and, together with Taniguchi, adapted it for the screen. The Quiet Duel starred Toshiro Mifune as an idealistic young doctor struggling with syphilis, a deliberate attempt by Kurosawa to break the actor away from being typecast as gangsters. Released in March 1. It is a detective movie (perhaps the first important Japanese film in that genre). Adapted from an unpublished novel by Kurosawa in the style of a favorite writer of his, Georges Simenon, it was the director's first collaboration with screenwriter Ryuzo Kikushima, who would later help to script eight other Kurosawa films. A famous, virtually wordless sequence, lasting over eight minutes, shows the detective, disguised as an impoverished veteran, wandering the streets in search of the gun thief; it employed actual documentary footage of war- ravaged Tokyo neighborhoods shot by Kurosawa's friend, Ishir.
The work is an ambitious mixture of courtroom drama and social problem film about free speech and personal responsibility, but even Kurosawa regarded the finished product as dramatically unfocused and unsatisfactory, and almost all critics agree. Kurosawa picked a script by an aspiring young screenwriter, Shinobu Hashimoto.
Kurosawa saw potential in the script, and with Hashimoto's help, polished and expanded it and then pitched it to Daiei, who were happy to accept the project due to its low budget. Just one week was spent in hurried post- production, hampered by a studio fire, and the finished film premiered at Tokyo's Imperial Theatre on August 2. The movie was met by lukewarm reviews, with many critics puzzled by its unique theme and treatment, but it was nevertheless a moderate financial success for Daiei. The filmmaker relocated the story from Russia to Hokkaido, but it is otherwise very faithful to the original, a fact seen by many critics as detrimental to the work.
A studio- mandated edit shortened it from Kurosawa's original cut of 2. It is widely considered today to be one of the director's least successful works. Contemporary reviews were very negative, but the film was a moderate success at the box office, largely because of the popularity of one of its stars, Setsuko Hara. On September 1. 0, 1.
Rashomon was awarded the festival's highest prize, the Golden Lion, shocking not only Daiei but the international film world, which at the time was largely unaware of Japan's decades- old cinematic tradition. The company was taking a considerable gamble. It had put out only one prior subtitled film in the American market, and the only previous Japanese talkie commercially released in New York had been Mikio Naruse's comedy, Wife! Be Like a Rose, in 1. However, Rashomon's commercial run, greatly helped by strong reviews from critics and even the columnist Ed Sullivan, was very successful. The movie stars Takashi Shimura as a cancer- ridden Tokyo bureaucrat, Watanabe, on a final quest for meaning before his death.
For the screenplay, Kurosawa brought in Hashimoto as well as writer Hideo Oguni, who would go on to co- write 1.